jencat: (dr who)
I don't even know... On one level there was major, major heartrendingness, and yet I never actually tipped over into crying.  

Well, ok, this is because River was still around, and that was such a rare bird this season that it actually outweighed the Ponds being... Angeled? So I cared, I really did, but we've been Ponded out for the past few eps, and seriously River-deprived, and it's not really any surprise where my heart really lies, so...

As much as I love Amy and Rory, we've had a really, really long time to get used to the idea of seeing them go.  Rory's died SO MANY TIMES already, and he's always come back. He did this time, too, and so did Amy, and (oh, nice Time Traveller's Wife shout-out in reverse there Moff, when elderly Rory sees young Amy again after waiting all this time.... With young!Rory standing right next to her for a twist. Very clever). So there was that whole lack of tension right there. Amy has to choose Rory every time, that's been the entire theme for this bit of the series, and that's fine, but it felt a bit like it was lacking a sense of... consequences?

There's not so much sense of the life the Ponds are giving up, yet again - aside from Brian, it goes without saying - because every other part of their lives has been dismissed and airbrushed out systematically everytime it's featured.  Amy's parents haven't even been mentioned I think since the wedding, Rory's mum has never had any screentime at all, and there's no 'say goodbye to them from me' from Amy at all in her little farewell. Parents do matter at some point, surely; even if you're not talking to them for some reason at the time, it tends to prey on your mind.  We do get River being her best self - which is to say, the Doctor's alternate; knowing when to let go while he is too busy acting out to even remember what she's losing. And has lost. And what Amy has already lost in her, and can't lose Rory too? Gah. Am missing the ironically slightly more hopeful days of A Good Man Goes To War right now...

Also: my brain was a little busy ticking over wondering why, even if the TARDIS can't go back to the exact time and space of where they were taken back to in NY 1938, then... what exactly is stopping the Doctor going slightly further away or later (like ANY POINT in the next 60 years?!) and just making his way there without the TARDIS? And obviously they aren't now stuck in the same room for all that time like Rory was threatened with? So what's stopping them travelling somewhere else and meeting up with him? I mean, Day of the Moon still happened in this reality didn't it; they were all running around the  States in the 60s, including NY surely? And how does River get the book to Amy anyhow - why is it only the Doctor they can never see again?! I get that there's a paradox involved but I can't figure out what the hell the parameters of the blasted paradox are, and it makes things so damn confusifying.

On a slightly less mindmelting note... It was so nice to have a Moffatt ep again, and to finally see the actual emotional follow-up to Wedding that we'd been waiting the past year for. There was all the angsting, and the squee and the gutwrenching sadness that this is never even going to work properly for any length of linear time because as River succinctly puts it, the TARDIS can't handle more than one psychopath at a time.  Bless her, but she hasn't really called him that to his face that I remember?

Oh, and the wrist. *dies*
More happily, the preening. And the many many times they keep addressing each other as husband and wife after the rest of the eps (minus one teeny tiny Moffatt mention of being married in the prequel to Asylum) where frankly River didn't even seem to exist (which she bizarrely apparently doesn't for any of the other DW writers.). There was a lot of good stuff, and a sense of everything being so inherently broken at the end that it can never be fixed.  It's not supposed to be fixed. Oh, and River's little telling heartbreaking comments which suggest she's been running this path with him for the longest time, and that as this is one of their rare linear meetings, you get to see the whole range of what she does to manage it. Everything she has to do - up to and including snapping her own wrist, because River has always been a hardcore BAMF - and keep from him. They also confirm she knows him better than Amy does; or at least she knows him more honestly.  

And the whole thing with the regeneration energy, which she reacted really, really badly to - because he's putting himself at risk to do it, and everything she does is to protect him (from himself or anyone else?). And they do seem to fit together in a slightly unhealthy way at this point, because he's acting out all over the place. And she's totally enabling it. River is always so terrified of losing him somehow, and we already know how ironic that is, even though she can't bring herself to stay with him even when it's made so important that he not be alone. 

We got some answers dammit. We got the definitive as to why River just doesn't take over as companion - because she honestly believes it's unwise - and what happened to her murder conviction when her supposed victim erased himself from history (harking back to the elusive pardon that drove her to the last Angels two-parter; part of a season that was all about erasing people from history in general). And she's the Professor she is in the Library episodes now; we're heading for the end-game. (although, Moffatt has fucked with the time line and the re-sets and the do-overs so very very badly for the last 10 eps that I can't even keep up. We still have an entire two centuries missing in the middle somewhere, and we know they definitely happened for the Doctor and somewhat for River - although at what point in her timeline it's impossible to say. Theoretically - if you go by the 'everything is in reverse!' claim, they should have happened prior to Wedding for her. Which has proved to be bullshit, as we very obviously saw the older River tonight, who genuinely did look like she'd been running with him on and off all this time, and it was wearing her down, and she was scared that it was freaking him out because Eleven has such a young face *sob*  (although as usual Matt Smith somehow makes him the definition of an old soul every second he's on screen)

Also: the slow-mo run back to grab the fateful last page that was a direct and deliberate re-enactment of Ten running for the sonic after River's death. Although running back to upload River actually had a point, and theoretically achieved something. All Eleven got from Amy was a note making everything fluffy (and there are lots of ways to leave notes through the years, if you think about it. Also ways to get another copy of a book. It wasn't necessarily the only chance to do that.). Let's just say, it made everything OK, which wasn't what happened with Rose, and Donna. Rose's original exit was the only one out of the lot that had me in tears, oddly enough, because it was so, so bleak. 

jencat: (dr who)
I'm going to be restrained and only say this once, but this series of Who is shaping up to be a massive continuity fail due to the distinct lack of my favourite character.  I'm not saying River should be in every episode (we were so spoiled last year..!), but this week's ep had stetsons, and prison, and making amends for your past crimes, and what constitutes punishment and forgiveness, and even a freaking conversation about how Amy is a mother.  And not one mention of the one character who has connected all those things previously
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jencat: (dr who)

Somehow I always expect to love the Who xmas specials far more than I actually do... the combination of Moffatt trying to write xmas in the middle of summer (after a typically brainmelting season finale), plus catering for all the casual viewers that inevitably drop in, ends up leading to something that's oddly neither fish nor fowl. And hey, RTD very rarely pulled it off either (I'd say The Christmas Invasion worked as a classic ep, but that's about it...).


So, this year's effort: not... great.  There were some lovely one-liners, the pimped up rooms were inspired, Claire Skinner did sterling work with some truly daft dialogue/plotting, kids managing not to be annoying, and the last freaking two minutes were an epically gorgous case of Moffatt writing his own fics yet again.... but mostly before that, the plot was flailing madly and falling into deep dark pits of cliche that I couldn't quite find enough xmas spirit to overlook. Shame :o(

Read more... )

slightly spoilery )

Posted via LiveJournal app for Android.

jencat: (dr who)
Because, honestly, announcing that the Ponds are exiting next year isn't exactly news news as such - they've suffered enough, surely, and had practically left to some extent before TWORS so Eleven did just spend 200 years without them - it's just announcing that it's going to be 'heartbreaking' that's kind of... uncalled for. 

It's not like any of the companions of NewWho have left to wander off to a nice cosy life sans Doctor (does Martha count? I had given up watching in disgust at the end of season 3 so still not entirely sure, but it got wrapped up quite nicely later by the end of season 4, no?) but I don't really want it confirmed at this point that Amy and/or Rory are going to be killed off AGAIN.  Seriously, you've destroyed Amy's life several times over, locked her in a giant box for 2 millenia, killed her husband off multiple times after making him hang around keeping guard for the aforementioned 2000 years, kidnapped her, replaced her with a doppelganger that promptly got melted, had her child kidnapped (and never really returned as such), made an alternate version of her spend 30 years alone on a creepy planet getting all bitter and twisted, and then made them have to choose who got saved (and then get promptly cheated out of the choice).  And I'm sure I've missed stuff off that list.  Really, Moffatt, what more can you do to the poor Ponds??!!

Oh god.  I shouldn't have even asked that, should I... 
(I'm just hanging onto the forlorn hope that it doesn't mean anything more horrible happens to River, as that's quite heartrending enough after watching the DVD extra scenes...)

On the plus side, likely more River so yay! Although it would be hard getting rid of the Ponds permanently without involving her in some way, surely?

(There was much squeeing from 2 of us in my office this week, as The Only Other Who Fan Around Here had Alex Kingston walk right past him at Waterloo Station a couple of days ago ("It was the hair! The hair!!"), and has been going on about not having stopped her to take a pic ever since...)

There was much silent squeeing at the BFI last week, as the inevitable happened while I was standing waiting in the corridor before the screening and Steven Moffatt walked right past me.  Well, obviously he was going to be there, and it's not totally unheard of for guests to wander about the halls there, but still.  There was a terribly pathetic attempt at staying cool at first, which inevitably descended into hysterical giggling out of sight behind a convenient pillar and much 'omgdidyoujustseethat'.  Oh what the hell, if you can't descend into hysterical fangirling at a Sherlock preview surrounded by most of the cast and crew, than I don't know when you can (Oh, alright, SDCC probably. And maybe BigScreen.).

After we, along with a couple of other people, managed to sit in the wrong row (hey, the row markings in NFT1 are hideously confusing, no matter how many bloody times I've been there!) and had to scramble back over the seats in a terribly ungainly fashion just before the show kicked off, we then had the insane excitement of Benedict Cumberbatch very nearly sitting in our bit of the row... alright, so the VIPs were sitting in the middle section of row G, well away from the irritating giggly fans (ie, us), and someone mistakenly directed poor Mr C to our end section instead. He nearly sat down, and then got rescued, so not really much of an occurance at all, except it was so very, very difficult to keep a straight face when there's been about 6 weeks of total hype for the damn preview and there was a pleasant amount of infectious buzz in the air.  Oh well, at least I wasn't the only one who ended up slunk down in her seat trying to cackle out of sight of all the VIPs sat across the aisle as he departed...

It's actually hideously difficult trying to write anything about 'A Scandal In Belgravia' at all, bearing in mind that you really really really can't be the idiot that spoils everything.   It was fabulous, of course, but then I've always loved the original story best out of the entirety of Holmes and in my current state of River fangirling, I was intrigued to see what Moffatt did with Irene Adler...  As it is, I really want to write a whole meta thing about who inspired what and how it all feeds back into each other, and obviously it's all off limits at the moment.  I will say the characters hit a lot of the same beats if you're looking for it, and that made me very happy.  Sherlock is the show that gets to have the darker, more adult tone (yay!) so hell, yes, it goes darker places with less overt sentiment, perhaps.  It was insanely funny, wonderfully twisted and, arch as she is, this Irene could break your heart.  Lots of things about this ep could, but that was what surprised me most.
jencat: (dr who)
Seeing as how the season 6 boxset won't be arriving for another couple weeks, and Sky now have season 1 on the Anytime menu, I had a yen to rewatch the first couple of eps for once... 
I probably wasn't concentrating so much when I watched Rose the other day, but it was still as cute and quirky as I remembered from way back when (ended up watching it in a hostel in Norfolk at Easter the first time around, on a very fuzzy tv, and it was such a nice surprise at how awesome it was.)

Tonight was The End of the World (and, let's be honest, new Who destroys the world at least once a series as a rule.. they eventually had to upgrade to destroying the universe a couple of times now, just to up the ante a bit, let's face it).  And I'd forgotten quite how impressive it was, especially considering how early on it is, with hardly any of the later canon established.  There are some lovely one-liners, Zoe Wanamaker shamelessly stealing the show as the voice of a CGI strip of skin - and bizarrely, Tainted Love and Britney's Toxic making an appearance on a jukebox (hey, Toxic as a soundtrack improves almost anything, it's true..).  Also the trees! 

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And.. now I have much-sought-after tickets for the Sherlock preview next month, which started off as a whole 'will Moffatt show up?!' (we only got Mark Gatiss at Big Screen, after all) and then descended into a OMG THE BFI ARE EVIL from lots of other people who didn't get tickets after the date was changed by the BBC.  I can totally see how you could miss out on the tickets, after all that - they took the online booking offline just as it was about to open, the phone lines immediately got blocked with frantic phone calls (I know, as I was hitting redial constantly for 35 minutes and couldn't even get through to the queue), and in the end I decided it was quiet at work and I was 2 tube stops away from the box office so trotted off down there.  Looks like I made the reservation list just in time, 35 mins after it theoretically opened - and I got through to the phone queue just as I walked into the box office, lol! 

jencat: (dr who)

I don't think brain-melting is quite a strong enough term for what the Moff just did to Who... it was, erm, ambitious, I guess? But messy. So, so, so very messy, coming back from the high drama of 'A Good Man'  to something with a hell of a lot of dashing about and red herrings

Read more... )

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jencat: (Default)
There's something about Eurovision that demands you sit through the entire damn thing, come hell or high water (or truly dreadful Swedish songs up first), even if something like Tell No One is on the other side, dammit... Oh well, it hasn't been too awful all round this year (thanks apparently to the semis weeding out the dross earlier).  
Blue were quite an unusual choice for us, but hey, they have a Euro profile already from way back when, so maybe that will count for something... Bless 'em, they did try, and pretty much pulled it off - although I'm not sure what was going on with the sound? They can sing (you could just about hear them) so why they were being drowned out by the production, I have no idea... And it would be a terribly entertaining evening if Ireland won again.  Shades of Father Ted's My Little Horse, but lordy, I do have a terrible soft spot for the sainted stylings of Jedward bouncing around inside a giant red glitter cannon by the look of things. Bless.
Eeep! we got 12 points on the second vote announcement! that's..actually quite cool! And after the 4th we're heading the board, woohoo! can't last of course, but what the hey!
Aaaand... eleventh. Post-jedward. How fitting...

Earlier, of course, we had the long, long awaited foray of a certain Mr Gaiman into writing Who. Not that we weren't supposed to have had this last year, I think, but it fits into the mood this year quite well, without changing too much (although I will admit to being slightly upset at the thought of losing the Tardis swimming pool, dammit!).
Sooooo.. 'The Doctor's Wife'.  Which had moments of real fabulousness, and was more than a little heartrending at times, even if I'm not convinced it worked entirely as a whole... I wasn't sitting there glued to the screen for chunks of it unfortunately.  I wasn't exactly gripped by Amy and Rory running up and down corridors due to the fact I can barely bloody remember what the last incarnation of the Tardis looked like (It didn't matter enough in the grand scheme of things what the control room looked like, honestly.)

much Who rambling... )
jencat: (dr who)

Aw, the Doctor's back :o)

Well, the first ep wasn't completely perfect - that kind of drama so early on immediately puts your audience's back up, spoilery who ruminations... )
jencat: (dr who)

Obviously, obviously, since I'm currently a third of the way through a mega roadtrip which has so far involved random Denver police stations, close encounters with a grizzly bear and plate tectonics galore, I chose to spend the evening watching the series finale of Dr Who the minute I could find a reliable wifi connection...  well, hell, i watched last week's ep whilst sitting outside a tent in Wyoming so I wasn't exactly going to wait til i got home, dammit!!

And it was.. gloriously, wonderfully random, with much devious retroconning, heartrending goodbyes and weird memory/reality stuff going down.  My brain seriously hurts after all that, but there was a much better through-line than the RTD era finales (thankthankthankgod there were no scenes of bemused English townfolk wandering around wondering why the aliens were invading again.  That reset button thing has to be one of the Moff's best contributions...!)

I'm not sure if it worked entirely, mainly due to the fact that my brain literally can't process the amount of plot jumps required to fit everything in. 

spoilery dw finale ramblings... )

jencat: (dr who)

Ohhhh, I didn't realise Toby 'Being Human' Whithouse wrote this week's ep until Confidential kicked off... what a nice surprise, lol!

To be fair, I've still only really seen about three-quarters of the bloody thing (mostly via subtitles!) due to my sister et al rocking up within three minutes of it starting, but, y'know, enough.  Any excuse for a re-watch, obv :o)

From what I caught of the beginning..

spoilery 'Vampires of Venice' ramblings... )


jencat: (dr who)

Heh.  Sure I was watching Who tonight with all my usual avid squeeing but now... I'm kinda finding it a little hard to remember great chunks of the ep after it ended like that.


very spoilery stuff for 5x05 )


jencat: (dessert spoons)

(As an aside, before I begin my DW ramblings, I'm seriously curious what kind of blackmail material Mark Sheppard holds over casting agents because the dude crops up in everything. I just watched the pilot ep of White Collar, which already had a serious Leverage vibe, which was then compounded by Mark Sheppard cropping up as the bad guy in that as well... seriously. Everywhere. Firefly, Medium, Bionic Woman, BSG, Dollhouse, Warehouse 13, the two aforementioned...)

Stephen Moffatt, obviously, rocks.  After last week's absolute mess of an ep, the Moff stepped back in and we got 'Time of the Angels', our double-sequel ep: River Song and the Weeping Angels. All at once.  And while it was easier, earlier, to make assumptions about why she knew who Ten was (and therefore why Ten had to have gone met her when he was having his little jaunt before regenerating)... now we get some answers!

spoilery )

Aaand I just spent half an hour writing a ridiculously involved amount of speculation, and the LJ gremlins just ate the last half of my post... gah! Will have to remember if again tomorrow dammit.. heh. Cliffhanger. Exhausted. Angels. Something about Amy having issues...

jencat: (through the door)

Well, it's been an interesting season this year... vast amounts of snow (but never a white Christmas, naturally), vast amounts of alcohol for one night only (the work xmas party, of which i remember scarily little. And then had to call in sick the next morning with, er, not a hangover. Honest. It was a cold!).  There was a surprisingly fun little 'office do' where we handed out the Secret Santa pressies, and our manager decided to bribe us with M&S party food, and now I don't have to be back at work for another... nine days, woohoo!  Not that it's particularly awful, but I am starting to feel a little like the Ghost of Christmas Past these days, drifting around with lots of things leftover to do but no real purpose.  It doesn't exactly encourage mustering much enthusiasm for the whole thing, hence it was kinda easy to give in to the hacking cough that's been plaguing me this week and not roll in until the afternoon on Monday, Tues and Wednesday... ho hum.

And then I did all my lastminute shopping yesterday with surprisingly little stress, wrapped everything in existence last night while downing a bottle of mulled wine fizz (surprisingly drinkable!) and watching rubbish tv.  As everyone managed to behave themselves today, the only real moment of stress was hacking open both turkey crowns to realise they still hadn't bloody cooked properly, despite not showing any signs of this when we took them out of the oven originally... (although, given the vast amounts of butter and maple syrup stuck in and on the things a la Nigella, there was no chance they were ever going to be dry..!)

But it was good... only one kinda dud present that I really really hope my parents didn't spend much money on in which i am ungrateful )

The guy who wrote Scroogenomics kinda has a point, which is why this year I had no qualms about buying stuff I wanted myself and handing it over to parents/grandparents for them to wrap up and give me.  Half the time I don't even get the money back, but I'm not really bothered about that - I really just can't see the point of buying meaningless crap that isn't wanted or likely to be used.  seasonal whining )

Oooh, btw, was somebody feeding Russell T Davies lots of sugar and/or caffeine before he wrote the Doctor Who finale? Because all I've read in interviews is him raving about how epic and heartrending it was to write, and what we got in the first part tonight was a couple of brief moments of epic/heartrending, but mostly it felt like the hyper ADD kicking off of someone on a severe sugar high.  DW spoilery rants )


jencat: (Default)
Jennifer Howell

July 2015

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